The second of three epic instalments in director Peter Jackson's blockbuster prequel to 'The Lord of the Rings' trilogy. Set in Middle-Earth 60 years before events in 'The Lord of the Rings', the story follows the adventures of Hobbit Bilbo Baggins (Martin Freeman), who, at the instigation of the wizard Gandalf (Ian McKellen), suddenly finds himself co-opted into joining a company of 13 Dwarves led by Thorin Oakenshield (Richard Armitage) to help reclaim the lost kingdom of the Lonely Mountain from the clutches of Smaug the dragon (voice of Benedict Cumberbatch). In this film, while Gandalf heads south on his own, Bilbo, Thorin and the Dwarves enter the treacherous Mirkwood Forest on their way to the mountain. When they reach Lake-town Bilbo will have to perform the role he was assigned at the start of the quest - to find a secret door that will lead him to the lair of the dragon...

Disney double bill following the adventures of young Native American woman Pocahontas (voice of Irene Bedard). 'Pocahontas' (1995) follows the eponymous character and her tribe, whose lives are dramatically changed by the arrival of a shipload of English settlers. Amongst them is handsome adventurer Captain John Smith (Mel Gibson) who falls for Pocahontas, although their cultural differences seem destined to keep them apart. In the sequel, 'Pocahontas 2 - Journey to a New World' (1998), Pocahontas is on a mission of peace to England, accompanied by dashing sea captain John Rolfe (Billy Zane). Upon arrival in London, Pocahontas prepares for the King's Ball, but the reappearance of both former-beau John Smith (Donal Gibson) and disgraced Governor Ratcliffe (David Ogden Stiers) throws her into a quandary.

Robert Fucilla and Billy Zane star in this low-budget British special forces action thriller. Former SAS man turned mercenary Andy Marlow (Fucilla) is sent into the Balkans to rescue an American ambassador and his aide in the wake of a military coup.

Extended versions of all three films from director Peter Jackson's blockbuster prequel to 'The Lord of the Rings' trilogy. Set in Middle-Earth 60 years before events in 'The Lord of the Rings', 'The Hobbit: An Unexpected Journey' (2012) follows the adventures of Hobbit Bilbo Baggins (Martin Freeman), who, at the instigation of the wizard Gandalf (Ian McKellen), suddenly finds himself co-opted into joining a company of 13 Dwarves led by Thorin Oakenshield (Richard Armitage) to help reclaim the Dwarves' lost kingdom of the Lonely Mountain from the clutches of a dragon. After setting out on their quest from the safety of Bag End, the band of travellers soon find themselves pitted against a range of strange and fearsome opponents, in addition to a small, slimy creature known simply as Gollum (Andy Serkis). In 'The Hobbit: The Desolation of Smaug' (2013), while Gandalf heads south on his own, Bilbo, Thorin and the Dwarves enter the treacherous Mirkwood Forest on their way to the mountain. When they reach Lake-town Bilbo has to perform the role he was assigned at the start of the quest - to find a secret door that will lead him to the lair of Smaug the dragon (voice of Benedict Cumberbatch). In the final instalment, 'The Hobbit: The Battle of the Five Armies' (2014), Bilbo, Thorin and the other Dwarves have unintentionally released Smaug from the Lonely Mountain and endangered the residents of Lake-town. Bilbo has to make a difficult decision when Thorin puts his desire to find the royal jewel Arkenstone before his loyalty to his friends. Meanwhile, Gandalf discovers that the evil Sauron has returned, commanding a horde of Orcs to attack the Lonely Mountain. Bilbo and his friends must fight for their survival as five armies meet in battle. The rest of the cast includes Luke Evans, Cate Blanchett, Orlando Bloom, Evangeline Lilly and Christopher Lee.

Now in paperback, a “refreshing. . . . accessible, engaging, and genuinely hilarious” (Buzzfeed) series of essays―part memoir, part manifesto―that explore coming-of-age and coming out as bisexual while moving toward embracing and celebrating sex without shame

As a boy, Zachary Zane sensed that all was not right when images of his therapist naked popped into his head. He sometimes imagined other people naked, too, and without an explanation why, a deep sense of shame pervaded these thoughts. Though his therapist assured him a little imagination was nothing to be ashamed of, over the years, society told him otherwise.

Boyslut is a memoir-manifesto in which Zane articulates that, even today, we live in a world that shames people for the sex that they have and the sexualities that they inhabit. Through the lens of his bisexuality and much self-described sluttiness, Zane breaks down exactly how this sexual shame negatively impacts the sex and relationships in our lives, and through personal experience, shares how we can unlearn the harmful, entrenched messages that society imparts to us.

From stories of play sessions with a neighbor at age six to the first explorations of Zane’s bisexuality in college, as well as sex-dungeon parties, orgies, and fun with butt plugs, Boyslutis reassuring and often painfully funny, and most potently, it is a testimony that we can all learn to live healthier lives unburdened by stigma.

WWII crime thriller starring Billy Zane. Commandeering a former royal castle on the outskirts of Frankfurt in 1945, army lovers Colonel Jack Durant (Zane) and Lt. Kathleen Nash (Lyne Renee) uncover a secret horde of priceless gems. Determined to smuggle their prize back into the US, their plans soon run into complications, however, at the hands of military investigators and a particularly ruthless underworld don.

Zombie horror starring Billy Zane, Dee Wallace and Mischa Barton. The youthful residents of the small town of Elwood spend their days training under the command of veteran Seiler (Zane) who prides himself in preparing the next generation for their future of fighting off zombies. The hordes of the undead, brought back to life by a virus that has wiped out the rest of humanity, lurk on the other side of Elwood's perimeter fence, waiting for any opportunists who wish to step outside. While the rest of the town fight over the cause of the virus, the 'zombie killers' put their training into action to defend their homes and families. The cast also includes Gabrielle Stone, Felissa Rose and Brian Anthony Wilson.

In his third poetry collection, Itch, Zane Frederick scratches memory. He pokes the bear of his past. Ventures further out into its woods to see what still lurks and what needs to be settled. Itch captures the complexity of revisiting memory and the whirlwind of emotions that emerge from loose ends that have yet to be tied up. He shouts into the void and calls out the skeletons in his closet. He lets anger out like a beast locked away. He is stuck in a limbo between holding on and letting go, finding his way out of the forest that held his most rotted roots.  Itch is about forgiving but never forgetting. It’s about taking the armor off and going home. It challenges the notion that our scars won’t always sting, but embraces the sting as a reminder of what we’ve healed from.

Politics as Public Art presents a keystone collection that pursues new frameworks for a critical understanding of the relationship between public art and protest movements through the utilization of socially engaged and choreopolitical approaches. This anthology draws from a unique combination of interdisciplinary scholarship and activism where it integrates geographically rich perspectives from political and grassroots community contexts spanning the United States, Europe, Australia, and Southeastern Africa. The volume questions, and reimagines, not only how public art practice can be integral to politics, including forms of surveillance and control of bodily movement. It also probes into how political participation itself can be construed as a form of public artmaking for radical social change and just worlds. This collection advocates for scholar-activist inquiry into how socially engaged public art practices can pave the way for thinking through-and working toward-championing more inclusive futures and, as such, choreographing greater intersectional justice. This book provides a wide appeal to audiences across humanities and social science scholarship, arts practice, and activism seeking conceptual and empirically informed tools for moving from public art and choreopolitical theory into modes of praxis: critical reflection and action.

Deviant Hollers: Queering Appalachian Ecologies for a Sustainable Future uses the lens of queer ecologies to explore environmental destruction in Appalachia while mapping out alternative futures that follow from critical queer perspectives on the United States' exploitation of the land. With essays by Lis Regula, Jessica Cory, Chet Pancake, Tijah Bumgarner, MJ Eckhouse, and other essential thinkers, this collection brings to light both emergent and long-standing marginalized perspectives that give renewed energy to the struggle for a sustainable future. A new and valuable contribution to the field of Appalachian studies, rural queer studies, Indigenous studies, and ethnographic studies of the United States, Deviant Hollers presents a much-needed objection to the status quo of academic work, as well as to the American exceptionalism and white supremacy pervading US politics and the broader geopolitical climate. By focusing on queer critiques and acknowledging the status of Appalachia as a settler colony, Deviant Hollers offers new possibilities for a reimagined way of life.

Zane Dangor and one of his older brothers lived with their sister Jessie and her children in the townships of Newclare and Riverlea in Johannesburg. While their houses were small, they were filled with books, which expanded his horizons beyond the 'gates of the ghetto'. The poems in this selection were written over a 30-year period. Zane wrote some of them when he was a teenager in high school and others while he was a student at Wits University in Johannesburg and the university of the Western Cape in Cape Town. Zane's poems deal with personal experiences and observations of the experiences of others as they traverse a world of love, struggle and survival.

This book explores the impact of the United Nations Declaration on the Rights of Indigenous Peoples in Japan and Australia, where it has heralded change in the rights of Indigenous Peoples to have their histories, cultures, and lifeways taught in culturally appropriate and respectful ways in mainstream education systems. The book examines the impact of imposed education on Indigenous Peoples' pre-existing education values and systems, considers emergent approaches towards Indigenous education in the post-imperial context of migration, and critiques certain professional development, assessment, pedagogical approaches and curriculum developments. This book will be of great interest to researchers and lecturers of education specialising in Indigenous Education, as well as postgraduate students of education and teachers specialising in Indigenous Education.

A sex and relationship columnist bares it all in a series of essays—part memoir, part manifesto—that explore the author’s coming-of-age and coming out as a bisexual man and move toward embracing and celebrating sex unencumbered by shame As a boy, Zachary Zane sensed that all was not right when images of his therapist naked popped into his head. He sometimes imagined other people naked, too, and without an explanation as to why, a deep sense of shame pervaded these thoughts. Though his therapist assured him a little imagination was nothing to be ashamed of, over the years, society told him otherwise. Boyslut is a memoir-manifesto in which Zane articulates that, even today, we live in a world that shames people for the sex that they have and the sexualities that they inhabit. Through the lens of his bisexuality and much self-described sluttiness, Zane breaks down exactly how this sexual shame negatively impacts the sex and relationships in our lives, and through personal experience, shares how we can unlearn the harmful, entrenched messages that society imparts to us. From stories of play sessions with a neighbor at age six to the first explorations of Zane’s bisexuality in college, as well as sex parties, orgies, and fun with butt plugs, Boyslut is reassuring and often painfully funny—and most potently, it is a testimony that we can all learn to live healthier lives unburdened by stigma.

Politics as Public Art presents a keystone collection that pursues new frameworks for a critical understanding of the relationship between public art and protest movements through the utilization of socially engaged and choreopolitical approaches. This anthology draws from a unique combination of interdisciplinary scholarship and activism where it integrates geographically rich perspectives from political and grassroots community contexts spanning the United States, Europe, Australia, and Southeastern Africa. The volume questions, and reimagines, not only how public art practice can be integral to politics, including forms of surveillance and control of bodily movement. It also probes into how political participation itself can be construed as a form of public artmaking for radical social change and just worlds. This collection advocates for scholar-activist inquiry into how socially engaged public art practices can pave the way for thinking through-and working toward-championing more inclusive futures and, as such, choreographing greater intersectional justice. This book provides a wide appeal to audiences across humanities and social science scholarship, arts practice, and activism seeking conceptual and empirically informed tools for moving from public art and choreopolitical theory into modes of praxis: critical reflection and action.

This research monograph provides a comparative analysis of juvenile court outcomes, exploring the influence of contextual factors on juvenile punishment across systems and communities. In doing so, it investigates whether, how, and to what extent macro-social context influences variation in juvenile punishment. The contextual hypotheses under investigation evaluate three prominent macro-sociall theoretical approaches: the conflict-oriented perspective of community threat, the consensus-oriented perspective of social disorganization, and the organizational perspective of the political economy of the juvenile court. Using multilevel modeling techniques, the study investigates these macro-social influences on juvenile justice outcomes across nearly 500 counties in seven states-Alabama, Connecticut, Missouri, Oregon, South Carolina, Texas, and Utah. Findings suggest that the contextual indicators under investigation did not explain variation in juvenile court punishment across communities and systems, and the study proposes several implications for future research and policy. This monograph is essential reading for scholars of juvenile justice system impact and reform as well as practitioners engaged in youth policy and juvenile justice work. It is unique in taking a comparative perspective that acknowledges that there is no one juvenile justice system in the United States, but many such systems.

All three films from director Peter Jackson's blockbuster prequel to 'The Lord of the Rings' trilogy. Set in Middle-Earth 60 years before events in 'The Lord of the Rings', 'The Hobbit: An Unexpected Journey' (2012) follows the adventures of Hobbit Bilbo Baggins (Martin Freeman), who, at the instigation of the wizard Gandalf (Ian McKellen), suddenly finds himself co-opted into joining a company of 13 Dwarves led by Thorin Oakenshield (Richard Armitage) to help reclaim the Dwarves' lost kingdom of the Lonely Mountain from the clutches of a dragon. After setting out on their quest from the safety of Bag End, the band of travellers soon find themselves pitted against a range of strange and fearsome opponents, in addition to a small, slimy creature known simply as Gollum (Andy Serkis). In 'The Hobbit: The Desolation of Smaug' (2013), while Gandalf heads south on his own, Bilbo, Thorin and the Dwarves enter the treacherous Mirkwood Forest on their way to the mountain. When they reach Lake-town Bilbo has to perform the role he was assigned at the start of the quest - to find a secret door that will lead him to the lair of Smaug the dragon (voice of Benedict Cumberbatch). In the final instalment, 'The Hobbit: The Battle of the Five Armies' (2014), Bilbo, Thorin and the other Dwarves have unintentionally released Smaug from the Lonely Mountain and endangered the residents of Lake-town. Bilbo has to make a difficult decision when Thorin puts his desire to find the royal jewel Arkenstone before his loyalty to his friends. Meanwhile, Gandalf discovers that the evil Sauron has returned, commanding a horde of Orcs to attack the Lonely Mountain. Bilbo and his friends must fight for their survival as five armies meet in battle. The rest of the cast includes Luke Evans, Cate Blanchett, Orlando Bloom, Evangeline Lilly and Christopher Lee.

In recent years, digital badging systems have become a credible means through which learners can establish portfolios and articulate knowledge and skills for both academic and professional settings. Digital Badges in Education provides the first comprehensive overview of this emerging tool. A digital badge is an online-based visual representation that uses detailed metadata to signify learners' specific achievements and credentials in a variety of subjects across K-12 classrooms, higher education, and workplace learning. Focusing on learning design, assessment, and concrete cases in various contexts, this book explores the necessary components of badging systems, their functions and value, and the possible problems they face. These twenty-five chapters illustrate a range of successful applications of digital badges to address a broad spectrum of learning challenges and to help readers formulate solutions during the development of their digital badges learning projects.

Pocket-sized and easy to use, Pocket Emergency Medicine, Fifth Edition, provides accurate, actionable, and up-to-date information essential to caring for patients in life-threatening situations. Edited by Drs. Richard D. Zane and Joshua M. Kosowsky, this handy, loose-leaf resource is designed to be used at the bedside by clinicians on the front lines of emergency care. A volume in the popular Pocket Notebook series, it organizes chapters by presenting condition and supports the thought processes needed to hone everyday diagnostic decision making. Offers easily accessible information on the entire field of emergency medicine-from history and physical exam to differential diagnosis testing to therapeutics to disposition-all in one easy-to-navigate notebook Follows the popular Pocket Notebook format, featuring bulleted lists, tables, diagrams, and algorithms that make essential facts easy to find and retain Features fully updated content throughout, including the latest research and best practices, as well as a new subsection on COVID-19 Covers all major organ systems, plus emergencies related to the environment, pediatrics, the psychiatric patient, toxicology, airway management, trauma, and more Contains useful quick-reference appendices on abbreviations, PALS, ICU medications, equations, and more Written by emergency medicine residents from the University of Colorado and Harvard Medical School, and edited by senior faculty

This research monograph provides a comparative analysis of juvenile court outcomes, exploring the influence of contextual factors on juvenile punishment across systems and communities. In doing so, it investigates whether, how, and to what extent macro-social context influences variation in juvenile punishment. The contextual hypotheses under investigation evaluate three prominent macro-sociall theoretical approaches: the conflict-oriented perspective of community threat, the consensus-oriented perspective of social disorganization, and the organizational perspective of the political economy of the juvenile court. Using multilevel modeling techniques, the study investigates these macro-social influences on juvenile justice outcomes across nearly 500 counties in seven states-Alabama, Connecticut, Missouri, Oregon, South Carolina, Texas, and Utah. Findings suggest that the contextual indicators under investigation did not explain variation in juvenile court punishment across communities and systems, and the study proposes several implications for future research and policy. This monograph is essential reading for scholars of juvenile justice system impact and reform as well as practitioners engaged in youth policy and juvenile justice work. It is unique in taking a comparative perspective that acknowledges that there is no one juvenile justice system in the United States, but many such systems.

Exploring the connections between energy and media-and what those connections mean for our current moment Energy and media are the entangled middles of social life-and also of each other. This volume traces the contours of both a media analytic of energy and an energy analytic of media across the cultural, environmental, and economic relations they undergird. Digital Energetics argues that media and energy require joint theorization-not only in their potential to universalize but also in the many contingent and intermeshed relations that they bind together across contemporary informational and fossil regimes. Focusing specifically on digital operations, the coauthors analyze how data and energy have jointly modulated the character of the materiality and labor of digital systems in a warming world. Anne Pasek provides a brief energy history of the bit, tracing how the electrification and digitization of American computing propelled a turn toward efficiency as both a solution and instigator of parallel crises in the workforce and the climate. Zane Griffin Talley Cooper traces these concerns within cryptographic proof-of-work systems and the heat they necessarily produce and seek to manage. Following heat through the twinned histories of thermodynamics and information theory, he argues that such systems are best approached as a paradigmatic, rather than exceptional, example of computing infrastructures. Cindy Kaiying Lin focuses on the practical and political frictions created as database and management designs move from the Global North to South, illustrating how the energy constraints and software cultures of Indonesia open new spaces of autonomy within environmental governance. Finally, Jordan B. Kinder offers a theorization of "platform energetics," demonstrating how public energy discourses and settler land claims are entangled in the digital infrastructures of data colonialism in Canada.

This haunting interpretation, exploring the mental anguish and moral dilemmas of a poor student who murders a miserly pawnbroker, is reimagined in Putin-era St. Petersburg. Hailed a 'resounding success', it brings fresh relevance to this chilling tale.